巴勒摩或沃夫斯堡 Palermo oder Wolfsburg (1980)
夸克网盘
https://pan.quark.cn/s/64a615ab7040
导演: 沃纳·施罗特
编剧: Giuseppe Fava / 沃纳·施罗特
主演: Nicola Zarbo / 奥托·山德尔 / 伊妲·迪·贝尼代托
类型: 剧情
制片国家/地区: 瑞士 / 西德
语言: 德语 / 意大利语
上映日期: 1980-02
片长: 173分钟
又名: 巴勒莫或沃尔夫斯伯格 / 巴勒莫或沃尔夫斯堡 / Palermo or Wolfsburg
IMDb: tt0081299
剧情简介
【机翻】
这部影片以巴勒莫小镇为故事起点，主角尼古拉是西西里高失业率下的一名年轻受害者。为了寻找工作，他决定离开巴勒莫，远赴德国沃尔夫斯堡。施勒特的这部作品与法斯宾德 1973 年的《恐惧吞噬灵魂》一道，成为为数不多的、聚焦外籍人士生存困境的影片 —— 他们背井离乡，失去了原有的家庭与社群支撑，艰难地试图融入德国社会。该片与《那不勒斯王国》一样采用顺时序叙事结构，而施勒特的创新之处在于，将故事划分为
三个风格迥异的篇章
。1980 年，《巴勒莫或沃尔夫斯堡》斩获柏林电影节最高荣誉金熊奖，值得一提的是，这也是
德国导演首次摘得该奖项
。
沃纳・施勒特以一个 18 岁西西里青年的经历，谱写了一曲扣人心弦的个人史诗。尼古拉远赴德国后，进入大众汽车工厂务工，在异乡坠入爱河，同时也在痛苦中挣扎着，适应这种全然陌生、难以理解的生活模式。当他发现女友只是在利用自己时，满腔怒火的他向女友的另外两个情人诉诸暴力。本片与《面包与巧克力》一脉相承，均刻画了异乡人在冷漠排外的社会中被孤立疏离的境遇，二者的不同之处在于，这部影片并非喜剧。此外，影片与维斯康蒂的《洛克兄弟》亦有共通之处，均探讨了现代工业社会对人性的腐蚀。全片的叙事结构清晰分明，以地域划分为两部分：西西里篇章画面明快温暖，德国篇章则色调灰暗、压抑沉重。在一众籍籍无名的演员中，饰演尼古拉・扎尔博的主演表现亮眼。尽管长达三小时的片长略嫌拖沓，但整部影片依旧引人入胜、令人沉浸。
This film begins in the town of Palermo, where the film's central figure, Nicola, is a young victim of Sicily's high rate of unemployment. He decides to leave Palermo for Wolfsburg in Germany in search of employment. Along with Fassbinder's Angst essen Seele auf (1973), Schroeter's film becomes one of a handful of films to broach the subject of the difficulties foreigners faced in their attempts to integrate into German society without the support of the family and community structures they had left behind in their home countries. Like Regno di Napoli, Palermo oder Wolfsburg follows a chronological structure, but Schroeter's innovation in this film is to divide the narrative into three distinct sections or acts, each having their own particular style. Palermo oder Wolfsburg won the prestigious Golden Bear at the Berlin Film Festival in 1980, notably the first Golden Bear ever awarded to a German director.
Werner Schroeter has fashioned a compelling personal epic about an 18-year-old Sicilian, Nicola, who emigrates to Germany. There he works in a Volkswagen factory, falls in love, and painfully adjusts to a new and incomprehensible way of life. When he realizes his girlfriend is just using him, Nicola strikes out in violence at her two boyfriends. Like BREAD AND CHOCOLATE, the film is about the estrangement of the outsider in what is seen as an alien and hostile society. The only difference is that this not a comedy. It also bears some similarities to Visconti's ROCCO AND HIS BROTHERS, with its theme of the corrupting influence of modern industrial society. The film is neatly divided into two parts, the Sicilian half, with its sunny, warm photographic style and the German half, which becomes grayish and grim. Nicola Zarbo is fine in the lead role among a cast of mostly unknown performers. At three hours the film is a trifle too long but thoroughly involving.
获奖情况
第30届柏林国际电影节主竞赛单元金熊奖沃纳·施罗特